10/11/2023 0 Comments Eddie iron maiden rock in rio 2013It's only when celebrities started to die that the masses began to feel concerned". As long as the virus was confined to homosexuals or drug-addicts, nobody gave a shit. Dickinson affirmed: "There's a line in 'Fear Is the Key' that goes: "nobody cares 'til somebody famous dies". The song was written around the time when the band learned about the death of Queen singer Freddie Mercury. "Fear is the Key" is about the fear in sexual relationships resulting from AIDS. Both songs were Dickinson/Gers collaborations, which contrasted with Harris' "Afraid to Shoot Strangers", a political song from the point of view of a soldier in the Gulf War, Dickinson would often introduce the song as an anti-war narrative. The album's musical style showed some experimentation with " Be Quick or Be Dead", a fast tempo song in a heavier thrash style released as the album's first single, and " Wasting Love", the group's first power ballad, which dates back to Dickinson's first solo album, Tattooed Millionaire. actually ended up not too bad, but, you know, a little bit under par." Īt 57 minutes and 58 seconds in length, Fear of the Dark was Iron Maiden's first double studio LP, as well as the longest album from Dickinson's first tenure in the band. ![]() But there were big limitations on that studio – simply because of its physical size, things like that. Bruce Dickinson describes the results as "a slight improvement because Martin came in and supervised the sound. It was also the first album to be produced by bassist and band founder Steve Harris, and the last album to feature the work of producer Martin Birch, who retired after its release.Īfter recording its predecessor (1990's No Prayer for the Dying) in a barn on Steve Harris' property with the Rolling Stones Mobile Studio, leading to negative results, for this album Harris had the building converted into a proper studio (christened "Barnyard"). Released on, it was their third studio release to top the UK Albums Chart, and the last to feature Bruce Dickinson as the group's lead vocalist until his return in 1999. It was up to me to interpret it.Fear of the Dark is the ninth studio album by English heavy metal band Iron Maiden. There were kabuki masks and tattoos, Japanese water dragon. Artist Mark Wilkinson told us that Steve Harris emailed him pages of imagery for reference: “There were samurai warriors and creatures from Japanese oni mythology - ogres with one or more horns growing out of their heads, plus an extra set of fangs. Maintaining the stark black backdrop from The Book Of Souls - with an expression and posture echoing Killers, where TBOS echoed the debut sleeve - our hero manifests in terrifying Samurai form, ready to captivate a new generation of wide-eyed youth. With an extra pair of fangs poking through bloody gums, battered metallic battledress, copious bloodstaining and an arsenal of weaponry at hand, Senjutsu is Eddie at his most flat-out bloodthirsty, shit-scary. ![]() No wonder the box set also included a seventeen-inch poster of the image. However, in the Senjutsu Super Deluxe edition, the Blu-Ray cover of the epic Writing On The Wall animated video adds a giant Samurai Eddie flashing his great big sword, as well as the rest of the Biker Horsemen of the Apocalypse. There are few more metal images than the Grim Reaper on a motorbike surrounded by flying eagles. Bursting through a copy of the Mirror carrying the tragic news of the R101 disaster (the subject of the song), Eddie reaches to grab the stricken airship out of the clouds, as the vast shadow of long-time Maiden sleeve art cameo the Grim Reaper surveys his grim handiwork. His mane of neon green fibre-optic hair is pretty fetching, too.Įddie’s first head-and-shoulders cover portrait since 1980, Mark Wilkinson’s Mayan Ed for The Book Of Souls is a focused triumph, our tribal-scarred hero peering out of a jet-black background, leaving behind the cluttered tableaux of recent years to reassert the snarling menace and attitude that first made us fall in love with the mad old bastard.įor a limited Record Store Day picture disc gatefold, Maiden turned to Hervé Monjeaud, the French artist who redesigned Derek Riggs’ Maiden England video sleeve for its 2013 DVD reissue, for the Empire Of The Clouds release. Being sucked into a computer universe seemingly works wonders on our hero’s teeth, displaying a straighter and whiter set of gnashers here than we've ever seen in Eddie's 'ead before. ![]() For Speed Of Light, the first single from Maiden's sixteenth studio album, Eddie was reimagined as a digi-hopping game invader, popping up in all manner of classic era video game archetypes as he battled his way through til the bitter end.
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